The Return of Consciousness, 1974 External links [ ]• The Fate of a Cockroach, 1966• , , Playwright, novelist, and essayist These plays were more artistic because they were based on Al Hakim's personal opinion in criticizing social life
In such a historical context, al-Hakim's play can be seen as a somewhat courageous statement of the need for even the mightiest to adhere to the laws of the land and specifically a plea to the ruling to eschew the use of violence and instead seek legitimacy through application of the law The 'soft hands' of the title refer to those of a prince of the former royal family who finds himself without a meaningful role in the new society, a position in which he is joined by a young academic who has just finished writing a doctoral thesis on the uses of the Arabic preposition hatta

A sultan at the height of his power is suddenly faced with the fact that he has never been manumitted and that he is thus ineligible to be ruler.

تحميل جميع مؤلفات وكتب توفيق الحكيم pdf
Rase, Sherri April 8, 2011 , 2012-03-22 at the , [Q]onStage, retrieved 2011-04-19• Al-Hakim's response to the social transformations brought about by the , which he later criticized, was the play, Al Aydi Al Na'imah Soft Hands, 1954
افضل مؤلفات توفيق الحكيم
He is one of the pioneers of the Arabic novel and drama
توفيق الحكيم «آثاره وكتاباته»
The play explores in an amusing, yet rather obviously didactic fashion, the ways in which these two apparently useless individuals set about identifying roles for themselves in the new socialist context
The triumphs and failures that are represented by the reception of his enormous output of plays are emblematic of the issues that have confronted the Egyptian drama genre as it has endeavored to adapt its complex modes of communication to Egyptian society My Donkey told me, 1938 Philosophical Essays• Now cured of his vicious anger against the female sex by the story-telling virtuosity of the woman who is now his wife, King Shahriyar abandons his previous ways and embarks on a journey in quest of knowledge, only to discover himself caught in a dilemma whose focus is Shahrazad herself; through a linkage to the ancient goddess, , Shahrazad emerges as the ultimate mystery, the source of life and knowledge
Goldschmidt, Arthur 2000 , , Biographical Dictionary of Modern Egypt, Lynne Rienner Publishers, p There is perhaps an irony in the fact that another of al-Hakim's plays of the 1960s, Ya tali al-Shajarah 1962; The Tree Climber, 1966 , was one of his most successful works from this point of view, precisely because its use of the literary language in the dialogue was a major contributor to the non-reality of the atmosphere in this style involving extensive passages of non-communication between husband and wife

Nazism, the Holocaust and the Middle East.

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The articles portrayed Hitler as a demon whose victory would herald the end of human civilization, bringing instead a "return to barbarism
من مؤلفات توفيق الحكيم
However, in spite of such critical controversies, he continued to write plays with philosophical themes culled from a variety of cultural sources: Pygmalion 1942 , an interesting blend of the legends of Pygmalion and Narcissus
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The Dancer of the Temple, 1939 Short Stories• In the play, Al-Safqah The Deal, 1956 , for example - with its themes of land ownership and the exploitation of poor peasant farmers - he couched the dialogue in something he termed 'a third language', one that could be read as a text in the , but that could also be performed on stage in a way which, while not exactly the idiom of , was certainly comprehensible to a larger population than the literate elite of the city